BRASCHLER AND FISHER – PORTRAITS

Here is a collection of portraits photographed in the same style:

  

BRASCHLER AND FISHER – ABOUT AMERICANS

This photo-essay is about everyday Americans in their natural environment.  

BRASCHLER AND FISCHER – IN CHINA

 

BRASCHLER AND FISCHER – DDR

Braschler and Fischer have completed interesting projects and I am going to show them here.  Again, the composition will be a great influence on my work.

 

MATHIAS BRASCHLER AND MONIKA FISCHER

Mathias Braschler and Monika Fischer photographed people around the world who were suffering due to climate change. 

To see more of this project, please click here.

Obviously, the content of these photographs is not related to shiftworkers, but the style of their work is what I want to achieve.  They show people, mostly workers,  in their environment, posing straight for their camera.  There are so many of these images, but I’ve included a few here.

I love the composition and the atmosphere created by the photographers.  This is about as close to the style I want to achieve that I have found so far.

ICONIC IMAGES

I am aiming to produce iconic images of night workers - through the pose and use of lighting.  I will be researching a number of photographers and look at both the lighting and pose utilised, in the hope that I can achieve what I have set out to do.

ARTHUR MUNBY - PIT BROW LASSES

Anthropologist Arthur Munby studied the working conditions of women, concentrating his investigations on the ‘Pit Brow Lasses’ at the collieries in Wigan and  championed these women’s right to work and to wear what they wished.

Munby did not take the photographs himself, but commissioned local photographs to take them for him.

These images were taken away from the pit brow in photographers’ studios which give them an ‘unnatural’ feel, but I can imagine that it was difficult to photograph them at work due to the limitations of photographic equipment and the fact that the colliery owners were probably not aware of Munby’s studies.

The women are shown with the ‘tools of their trade’, (a shovel, a sieve, etc) and still dirty from working at the pit (I’m sure Munby requested they do not wash their faces beforehand) and wearing her work clothes.

They are presented to us as if held up for examination, they have been objectified. 

These photographs of women wearing trousers shocked Victorian sensibilities and women working in a masculine world were seen as deviant; far removed from their traditional role as homemaker.

The reason I have included these images in Style section is  the girls have been transformed into icons – icons of the working classes, female icons and that is a part of what I am trying to do with the workers I am photographing.  These photographs fit in with both the style and content of my work.  They are workers photographed not actually working, which is also what I am doing myself.